‘Tóra’ is an exhibition divided into two parts. On the one hand, Sigurbjörnsson is interested in the weather as a kind of incarnation of space. There is a play of light and shadow that breaks when the energy of the ever-changing weather collides with the bones and skin of the earth and sea. They disappear together into a turbulent skin cover or separate into colour sharpness. It becomes the embodiment of weather and land.

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On the other hand, works with erotic nuances are presented with luxurious materials and bold use of color.

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What connects the series is a center or a kind of hole where the substantial brushstrokes dance around. This middle has a reference to light, an opening or a hole in the mass of clouds that sometimes surrounds Snæfellsjökull. At this location it is said that there is a tóra over a glacier and people can read the weather from it. Tóra is therefore the opening that occurs in the incarnated sky above a summit so that reading can take place in the flesh of the world.